VALKYRIE in Geneva during the “House of Paint” project

“Valkyrie” in Geneva is more than a façade painting, it is a statement about our times. Being invited to Geneva for the House of Paint project was both an honor and a milestone in my artistic journey. The event brought together a community of international street artists to transform walls outside and inside severals buildings into vibrant narratives, and I was fortunate to contribute with a large-scale mural titled Valkyrie.

From the very beginning, the organization by Wall’s Street GVA and House of Paint was as always warm and perfect, i had honor to participate to previous edition in Geneva, you can find here, Edition 1 / Edition 2 / Edition 3. The team provided a space where creativity could flourish without limits, and the local community welcomed us with an openness that is rare to encounter. I am also grateful to Loopcolors for their unwavering support in providing the tools and materials that made this project possible.

The mural, titled “Valkyrie,” is not just an image but a narrative frozen in time. I envisioned a cyberpunk valkyrie, a contemporary reinterpretation of the mythological female warrior. Traditionally, Valkyries in Norse mythology were figures who decided the fate of warriors in battle, guiding the chosen ones to Valhalla. In my piece, this legendary archetype is reimagined within the framework of the 21st century, where humanity is constantly negotiating its relationship with technology.

The Valkyrie figure stands tall, embodying strength, resilience, and grace. She represents a hybrid identity: part human, part machine, yet deeply anchored in the human struggle for meaning and dignity. By her side, a robotic companion armed with dual katanas emerges as both guardian and ally. This figure symbolizes the tools we create, machines that can either defend or endanger us, depending on how we choose to use them. Together, they invite reflection on our evolving bond with technology, urging us to confront both its promises and its perils.

Surrounding the two protagonists are peonies, chosen deliberately for their symbolism of courage and perseverance. Their delicate petals contrast with the sharp, metallic forms of cybernetic elements woven throughout the composition. This juxtaposition is central to the piece: the organic versus the mechanical, tradition versus innovation, vulnerability versus resilience. As in much of my work, the mural revisits a recurring theme: how do we preserve our humanity as we merge with the machines of our era? This question has become increasingly urgent as technology permeates every aspect of our lives, from communication to art, from medicine to warfare.

The House of Paint project provided the perfect stage for this exploration. With the support of the organizers, partners, and local community, this mural has become part of Geneva’s cultural landscape, adding one more voice to the city’s vibrant conversation with art. For me personally, it marks another step in an ongoing journey to question the role of art in a world increasingly shaped by technology, and to celebrate the resilience of humanity as we navigate that transformation.

New Street Art Mural at La Karriere! 

I’m excited to present my latest mural, “Ophelia,” created in the stunning setting of La Karriere, a former Comblanchien white stone quarry now dedicated to street art. Like many of my previous works, such as those in Geneva and Lyon, this piece explores the fusion of organic and mechanical elements. Ophelia, a woman intertwined with machinery, delicately holds a feather symbolizing wisdom, a recurring motif in my work. The mural reflects on the merging of humanity with technology, the composition forms a visual labyrinth, mixing 19th-century imagery with futuristic elements, inviting viewers to question how we can maintain our humanity amidst rapid technological progress. As always, my goal is to engage the viewer in their own interpretation, making the artwork a personal journey through time and transformation.

Wisdom and Art: A Tribute to Minerva at “Trésors de Banlieues”

As part of the remarkable exhibition “Trésors de Banlieues,” which brings together contributions from over 70 local communities, I had the privilege to create a mural for the event. The exhibition showcases the artistic richness of suburban cities, featuring works from the 17th century to today, across various forms including painting, sculpture, and photography. For my piece, I drew inspiration from Minerva, the Roman goddess of wisdom. Her owl, a symbol of knowledge, takes flight at dusk, embodying the understanding that comes fater observation. This theme of duality—human and machine, organic and mechanical, nature and city—echoes throughout my work. In this mural, the character represents the fusion of human and machine, much like the factory workers of our industrial past. The peony flower, a symbol of honor and hope, ties the piece together, and each element invites viewers to interpret their own meaning.

The Road Warriors: A street Road Trip to the West

After first, second and third edition, here is the fourth edition of our road trip “The Road Warriors”, Sloke and I embarked on a journey westward. Starting from Austin, Texas, we cruised through vibrant cities like El Paso, Phoenix, Los Angeles, San Francisco, Sacramento and Albuquerque. Each stop was filled with amazing encounters and unique artistic collaborations with local talents. This trip was a true adventure, sharing art and creating memories along the way. You can also find official Road Warriors products on my Shop.

La Semeuse: A Mural for WallsStreet in Geneva

One more time, I had the opportunity to create a painting for WallsStreet agency in Geneva, Switzerland, inspired by a character from Alfons Mucha. I already did a tribute to Mucha many years ago. This piece titled “La Semeuse”, references the now-disappeared one-franc coin. Howewer the franc still exists in Switzerland. My character features mechanical and cyberpunk elements, blending a futuristic aesthetic with 19th-century imagery. More murals i did in Geneva here, Judith, Lancy and Clémence.

Victoria, Blending Cyberpunk and 19th-Century Elements

WallsStreetGVA warmly invited me to participate in the House of Paint exhibition, a key gathering for street art enthusiasts. For this edition, I created an indoor mural depicting a character named Victoria. This artwork blends 19th-century aesthetics with cyberpunk influences, symbolizing the melting of human and new technologies. Explosions around looks like a warning of future challenges who awaited us. More murals i did in Geneva here, Dolores, Judith, Lancy, Salomé and Clémence.

Collaborative Mural with Esty ODV at Capstone Ivry

I had the pleasure of collaborating with the talented Esty ODV on a mural at Capstone Ivry. Both of us have been greatly inspired by the work of Alfons Mucha, though for different reasons, which allowed us to perfectly complement each other during the creation of this wall. Esty brought his unique mastery of full and flowing curves, which added a dynamic and graceful touch to the cyberpunk-inspired Mucha-style characters I painted. Our distinct artistic approaches merged seamlessly, resulting in a mural that blends classical Art Nouveau elements with futuristic, technological motifs. It was an inspiring experience, and the final artwork reflects the harmonious balance between organic and mechanical.

A Second Mural in Geneva: Clémence

During my trip to Geneva, after completing the mural titled Salomé, I had the opportunity to create a second piece in an abandoned Carglass shop in the Acacias district. This mural, named Clémence, reflects the themes that are dear to me: the blend of organic and mechanical elements, the fusion of humanity and machines, and the contrast between life and concrete. It captures the tension between nature and industrial progress, inviting viewers to reflect on these evolving dynamics. More murals i did in Geneva here, Dolores, Judith, Lancy, Salomé and Victoria.

The Road Warriors: A street Road Trip to the East

After first and second edition, the third edition of our road trip “The Road Warriors”, Sloke and I embarked on a journey eastward. Starting from Austin, Texas, we cruised through vibrant cities like Dallas, Kansas City, Chicago, Dayton, Philadelphia, New York, Chattanooga, and finally New Orleans. Each stop was filled with amazing encounters and unique artistic collaborations with local talents. This trip was a true adventure, sharing art and creating memories along the way.