Street art murals and walls

Street art murals and walls have become one of the most dynamic forms of contemporary public art. Unlike traditional graffiti, murals offer the possibility of creating large-scale visual narratives that transform architecture into cultural landmarks. Over the past three decades, my practice has progressively evolved from graffiti lettering toward contemporary figurative mural painting, developing a visual language that combines cyberpunk aesthetics, Art Nouveau composition and architectural storytelling.

Today, mural painting represents the core of my artistic activity. Whether commissioned by municipalities, cultural institutions or private companies, every project begins with the same objective: creating a site-specific artwork that responds to its environment while maintaining a strong artistic identity.

Large-Scale Murals

Working on monumental walls fundamentally changes the way an image is conceived.

Unlike an illustration created for paper or screen, a mural must interact with architecture, natural light, surrounding buildings and the movement of pedestrians. The wall itself becomes part of the composition.

Each project therefore begins with an analysis of the site. Dimensions, perspective, textures and the urban context all influence the final design.

Rather than applying the same visual formula to every commission, I develop compositions that establish a dialogue with the place itself. This approach allows every mural to become unique while remaining recognisable as part of my artistic universe.

Artistic Direction

My current murals combine two visual worlds that rarely meet.

The first comes from cyberpunk culture, inspired by artists such as Syd Mead and Katsuhiro Otomo, where cities evolve into dense ecosystems of technology, architecture and layered information.

The second draws upon Art Nouveau, particularly Alfons Mucha, whose ornamental compositions, flowing lines and elegant characters continue to influence my approach to composition.

The fusion of these two universes creates images where organic forms coexist with mechanical structures, where vegetation grows through architecture and where contemporary figures inhabit imagined urban environments.

Rather than illustrating science fiction, these murals question the future of our cities and our relationship with technology, memory and nature.

Public and Private Commissions

Over the years I have created murals for municipalities, cultural institutions, festivals, companies and private clients.

Each commission begins with listening. Some projects celebrate local history. Others revitalise forgotten public spaces.

Some communicate the identity of a company or institution. Others simply seek to create an immersive artistic experience.

Because every wall has its own architectural identity, every composition is designed specifically for its location rather than adapted from an existing artwork.

This custom approach allows each mural to become part of the place where it is installed.

International Projects

Travelling has played an essential role in shaping my artistic practice.

Over the years I have painted throughout France while also participating in festivals and artistic collaborations across Europe, North America and Asia.

These experiences introduced me to different architectural styles, urban cultures and artistic communities.

Projects such as Belgium, Geneva or Perpignan, collaborations with the CBS Crew in Los Angeles and invitations to international festivals have continuously expanded my visual vocabulary.

Rather than reproducing local imagery, these journeys have enriched my understanding of how public art interacts with different cities and audiences.

From Concept to Walls

Every mural and walls follows a structured creative process.

It begins with research and discussion, followed by sketches, digital simulations and compositional studies.

The concept is then integrated into photographs of the actual location whenever possible, allowing clients to visualise the finished artwork before production begins.

Once approved, execution takes place on site using professional mural techniques adapted to the wall and environmental conditions.

This process ensures that creativity and technical precision evolve together from the first conversation to the completed mural.

Why Commission a Mural

A mural is more than decoration. It can transform an ordinary building into a landmark.

It can strengthen the identity of a neighbourhood. It can improve the visual experience of employees, visitors or residents.

It can communicate values without relying on advertising. For cultural institutions and municipalities, murals often become part of the city’s visual heritage.

For businesses, they reinforce identity while creating memorable public spaces. For private collectors, they provide unique site-specific artworks impossible to reproduce elsewhere.

This relationship between architecture and painting is what continues to motivate my work today.

What types of murals and walls do you create?

Large-scale contemporary murals inspired by cyberpunk, Art Nouveau, architecture and urban culture.

Do you paint walls outside France?

Yes. I regularly work internationally depending on the project and logistics.

Who commissions your murals?

Municipalities, cultural institutions, companies, festivals and private clients.

How long does a mural project take?

It depends on the size, complexity and location, but every project begins with a detailed planning phase.

Can you create a custom design for a specific building?

Yes. Every mural is designed specifically for its architectural context rather than adapted from an existing artwork.